Canon has unveiled its most vital digital camera in years — the EOS R1 mirrorless. Launched alongside the 45-megapixel R5 II, it’s the corporate’s new flagship designed to interchange the 1DX Mark III DSLR and assist Canon preserve its management within the professional sports activities pictures subject.
The R1 is all about pace, with the stacked sensor permitting 40 fps RAW bursts with steady autofocus. Different options are designed to assist nail essential photographs, together with pre-capture, eye-tracking AF and sports-specific settings. On the similar time, it needs to be nice for video, because of its help for 6K RAW seize.
One potential draw back is the 24-megapixel decision, which is decrease than rivals like Sony’s A1 and the Nikon Z9. To see how that affected picture high quality and collect some impressions on efficiency and new options, I used to be in a position to get a brief quantity of hands-on time with the R1 in Phoenix, Arizona.
Although huge for a mirrorless digital camera, the R1 is lighter than it seems to be — it solely weighs 2.12 kilos. The magnesium alloy physique is dust- and water resistant and the big, snug grip makes use of new rubber to scale back slippage. It’s a secure platform, even with telephoto lenses, and was clearly designed for working photographers.
Controls are laid out very similar to the EOS R3, with two management dials, a rear dial, joystick, mode change and lots of customizable buttons. It has matching vertical controls, with the identical format in portrait and panorama modes.
Canon did add a touch-sensitive IR button referred to as the sensible controller, which provides 3 ways to regulate autofocus. Total, the R1 handles like an F1 automobile — quick and reactive, however there is a steep studying curve.
The viewfinder is Canon’s greatest but with 9.44 million dots, 0.9 occasions magnification and 3x brightness, all tops within the EOS collection. The rear show totally articulates for high- and low-angle capturing.
Canon determined to ditch SD playing cards in favor of two CFexpress sort B slots. That permits for optimum RAW burst speeds, in addition to quick and dependable backups, however you will find yourself throwing your SD card assortment out the window. Against this, Sony’s R1 has twin card slots for each SD UHS II and CFexpress sort A.
The R1 makes use of a variant of the battery from the EOS R3 that helps as much as 650 photographs and 70 minutes of 6K video on a cost. Connectivity is one of the best I’ve seen on any Canon digital camera, with Wi-Fi 6E, ethernet, USB-C PD and extra.
The R1 is constructed for motion and suffice to say, it’s quick. In blackout free digital shutter mode, you’ll be able to shoot JPEG and RAW frames at as much as 40 fps for an extended whereas earlier than the huge buffer fills — with Canon promising “1,000 or extra” photographs when capturing uncompressed RAW and JPEG recordsdata. It hits 12 fps with the mechanical shutter, a function lacking on Nikon’s rival Z9.
The latter isn’t often essential, although, because the stacked shutter largely eliminates rolling shutter distortion.
Canon is bringing quite a few autofocus enhancements as properly. With common single-point monitoring, you’ll be able to change the goal with both the joystick or sensible controller. As well as, the R1 has a brand new eye-tracking system referred to as Eye AF II, a extra subtle model of its Eye Management AF from the R3.
As with the R3, it’s essential to calibrate Eye AF II first. And it received’t essentially operate properly for all eye sorts, nevertheless it labored nice for me, because the monitoring field adopted my gaze with much less drift than earlier than. That didn’t at all times translate to sharp pictures, however once more, I used to be utilizing a pre-production unit.
After all the R1 provides face- and eye-detection for each people and animals. However what occurs should you’re making an attempt to single out somebody in a crowd of gamers?
First off, there at the moment are AI modes for 3 particular sports activities, volleyball, basketball and soccer. The thought is that the system will observe motion across the ball that can assist you nail key photographs. It’s additionally supposed to remain locked on a participant even in site visitors. Lastly, you’ll be able to register as much as 10 faces to maintain observe of an entire workforce of athletes.
How properly does this work? It’s onerous to say within the quick time I had the digital camera, however I didn’t discover a dramatic enchancment with chaotic motion or particular sports activities. However these options require time to grasp, so a full evaluate will inform me extra.
One other new function to assist execs keep away from lacking photographs is pre-continuous capturing, one thing that is seen on many high-end cameras lately. The R1 begins taking pictures while you half-press the shutter button, recording as much as the final 20 frames as soon as it’s totally pressed.
Canon has led the way in which in picture stabilization because the R5, and the R1 provides a strong 8.5 stops of shake discount with supported lenses. This isn’t essentially an incredible profit for motion capturing, nevertheless it does assist with landscapes or low-light capturing.
Canon doubtless anticipated complaints in regards to the comparatively low 24-megapixel decision. In response, it unveiled a brand new function referred to as in-camera upscaling. It makes use of deep studying to quadruple picture measurement to 96 megapixels in-camera after capturing, supposedly whereas sustaining obvious decision.
That is completely different from Sony’s pixel-shift scheme that takes a number of separate pictures and merges them into one. Nonetheless, it was onerous to get a straight reply from Canon as to how precisely the upscaling works. Clearly, it might probably’t be a real decision improve with out really capturing further pixels.
Picture high quality is tough to guage in pre-production cameras, and Canon particularly mentioned that in-camera RAW processing was a piece in progress. Nonetheless, JPEGs appeared sharp out of the digital camera and had the corporate’s usually wonderful pores and skin tones.
Low-light picture high quality is a promoting level of this digital camera, and it did seem to carry out properly at excessive ISOs, with first rate picture high quality at ISO 12,800 and past. Nonetheless, it’s no Sony A7S III at very excessive ISOs, so the max of ISO 102,400 is for emergency use solely.
Stacked sensor cameras are inclined to sacrifice some dynamic vary in favor of pace, however there’s no signal of that with the R1. Nonetheless, I will want extra time to get a full concept of RAW picture high quality, notably at excessive ISOs.
Although primarily geared toward photographers, the R1 is probably a monster video digital camera by itself. It lacks the R5 II’s 8K function, however does supply 6K Canon RAW video at as much as 60 fps, utilizing the total width of the sensor.
You additionally get totally oversampled full-sensor 4K at as much as 60fps, or 4K pixel-binned or cropped at 120 fps. Full HD will be recorded at as much as 240 fps, both cropped or with pixel-binning. On prime of Log 3, Canon’s Log 2 is now supported with 10-bit seize.
Canon has considerably lowered its earlier overheating points, although they are not utterly eradicated. You’ll be able to report greater than 120 minutes of 6K 60p RAW with proxy recording, in addition to 4K 60p, with no restriction for 4K 30p. The first limitation is quarter-hour for 4K 120p, however that shouldn’t be a problem for many videographers or content material creators.
As you’d anticipate, the oversampled 4K 60p and 6K 60p RAW video is sharp. Canon’s RAW video may be very straightforward to work with in submit and with the Log 2 setting delivers further dynamic vary and latitude in submit.
It’ll be attention-grabbing to see how professional photographers react to Canon’s new flagship. They do achieve an additional 10 fps in RAW capturing speeds over Sony’s A1 and the Nikon Z9, and the sensor is strong in low gentle. The draw back, although, is the truth that it provides half the decision of its rivals.
The Eye AF II is an attention-grabbing gimmick that will give Canon an edge. Different options like face-memorization, sports-specific AF and cross motion appear good on paper, however I wasn’t in a position to get probably the most out of them within the quick time I had the digital camera — so additional testing is required. The EOS R1 is ready to reach within the fall of 2024 with an estimated worth of $6,300.
Canon paid for this contributor’s journey and lodging for the launch of its new cameras in Phoenix, Arizona. This text was produced independently for Engadget, with no oversight from Canon.
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